Gustav Klimt Portraits
From Tate Liverpool:
Klimt painted portraits throughout his career. Even his early works displayed a contrast between naturalistic representation of his subject and the flat, two-dimensional background against which the sitter is set. His portrait of Joseph Pembauer, for example, places a realistic likeness of the pianist in front of a flat backdrop decorated with a lyre, symbolizing music. The golden frame, characteristic of the artist, was made specifically for this work and is also decorated with emblems relating to the arts.
In later portraits, this tension between realism and flat ornamental areas became even more pronounced. The parts of the subject that reveal character and individuality, such as face and hands, were painted naturalistically and almost set like jewels against the rest of the body which was treated as a flat, elaborately patterned surface.
This style was highly appropriate for his portraits of Viennese society ladies. The rich, luxurious treatment of their gowns and accessories gave them an aura of wealth, distancing
them from everyday life. He further enhanced this feeling of superiority by lengthening their bodies and viewing the subject from below.
Klimt has often been criticized for capturing the feeling of the age rather than the character of his sitter.
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Portrait of a Girl, Head Slightly Turned Left 1879 |
Portrait of a man with beard 1879 |
Portrait of a man with beard in three quarter profil 1879 |
Savoyen Boy 1882 |
Portrait of Clara Klimt 1883 |
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Portrait of Joseph Pembauer 1890 |
Emilie Flöge, Aged 17 1891 |
Portrait of Emilie Flöge 1893 |
Portrait of a lady 1894 |
Portrait of Marie Breunig 1894 |
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Josef Lewinsky 1895 |
Girl in the countryside 1896 |
Blind Man 1896 |
Portrait of Helene Klimt 1898 |
Sonja Knips 1898 |
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Portrait of a Woman 1899 |
Portrait of Serena Lederer 1899 |
Portrait of Rose von Rosthorn-Friedmann 1901 |
Portrait of Gertha Felssovanyi 1902 |
Portrait of a Girl 1902 |
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Portrait of Emilie Flöge 1902 |
Portrait of Marie Henneberg 1902 |
Portrait of Hermine Gallia 1904 |
Portrait of Margaret Stonborough-Wittgenstein 1905 |
Portrait of Fritza Riedler 1906 |
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Portrait of Adele Bloch-Bauer 1907 |
Lady with Hat and Feather Boa 1909 |
The Black Feather Hat 1910 |
Mada Primavesi 1912 |
Portrait of Adele Bloch-Bauer 1912 |
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Portrait Of Eugenia Primavesi 1913 |
Portrait of Charlotte Pulitzer 1915 |
Portrait of Barbara Flöge. Mother of Emilie Flöge 1915 |
The Dancer, formerly Ria Munk 1916 |
Lady with a muff 1916 |
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Portrait of Friederike Maria Beer 1916 |
Portrait of Baroness Elisabeth Bachofen-Echt 1916 |
Portrait of a Lady 1917 |
Amalie Zuckerkandl 1918 |
Lady with Fan 1918 |
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Portrait of a Lady, unfinished 1918 |
Portrait of a Lady in White, unfinished 1918 |
Portrait of Johanna Staude 1918 |
Portrait of Maria Munk, unfinished 1918 |
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